"The VCRadio is a voltage-controlled FM/AM/SW stereo radio receiver with modulation capabilities. The unit generates a continuous stream of audio content, noises, squelches and broadcasts, depending on where you are located in the world. The unit will easily pick-up any station or noises lurking at any frequency within the selected range.
Connect a LFO in the CV input to modulate the TUNER knob and create beats/patterns of mixed radio signals and noises! Please note that the VCRadio is a highly sensitive device, it will respond very well to LFO cycles below 7Hz or 8Hz. But above this rate the unit will tend to ignore the modulation.
Pre-order your VCRadio today on https://xaudiosystems.com
FEATURES OF THE VCRADIO
1 radio receiver (FM - AM - 6 bands of Short Wave)
2 LEDs for indicating if the radio signal is strong (STATION) or stereo (STEREO)
1 CV Input (with gain) to modulate the TUNER knob with an external signal (-5V - +5V)
3 audio line outputs (LEFT, RIGHT, SUM)
2 antennas (telescopic for FM/SW and ferrite loop for AM)
Eurorack module 8HP
RADIO BANDS
FM Radio (88 - 108 MHz)
AM Radio (520 - 1710 kHz)
SW Band 1 (2,3 - 2,5 MHz)
SW Band 2 (3,9 - 4,0 MHz)
SW Band 3 (5,6 - 6,4 MHz)
SW Band 4 (6,8 - 7,6 MHz)
SW Band 5 (9,2 - 10,0 MHz)
SW Band 6 (11,6 - 12,2 MHz)"
"The BEATS FM has 0 oscillators, but it has 3 sound sources, 4 vintage analog filters, a 4-second delay unit, a FM/AM/SW radio tuner, an LFO and a Sync Module."
"Circa 1975: A photo from the Frankfurt Music Fair
Peter Zinovieff in the EMS synthesizer booth.
They are featuring the rare SYNTHI P model, just announced on the left side and stand. Underneath the board listing EMS musical artists is a SYNTHI HI-FLI effects unit is barely seen. Another unusual/prototype model is next to the Hi-Fli."
Peter Zinovieff and Electronic Music Studios video upload by JeffreyPlaide
Peter Zinovieff: Synth Pioneer video upload by Sound On Sound magazine Jul 21, 2016
Peter Zinovieff talks about modern musical interfaces video upload by Expressive E Jan 6, 2016
Peter Zinovieff feature uploaded by Erica Synths on Nov 23, 2020. This was the latest video to feature Peter Zinovieff that I am aware of.
Peter Zinovieff interview 2015 video upload by 香港電子音樂社 Hong Kong Electronic Music Society Jun 30, 2015
Dr Peter Zinovieff intro & performance excerpt - Deliaphonic 2017 video upload by Deliaphonic Aug 29, 2018
And a few perspectives from others:
Bright Sparks Behind The Scenes - The Brits video by GForce Software published Feb 16, 2021
Cosmic Tape Music Club Podcast hosted by The Galaxy Electric - E1 Peter Zinovieff
video by The Galaxy Electric published Jan 27, 2021
"Peter Zinovieff, a hugely influential figure in British music whose early synthesisers helped to change the sound of pop, has died aged 88. He had suffered a fall at home earlier this month.
With its marketing slogan 'think of a sound – now make it', his company Electronic Music Studios (EMS) was one of the first to bring synthesisers out of studios and to the public. With products such as the portable VCS3 and Synthi A, EMS customers – including David Bowie, Kraftwerk, the Who, Tangerine Dream and Pink Floyd – were often taught to use the instruments by Zinovieff.
In 1967 he collaborated with Paul McCartney on Carnival of Light, a performance of a 14-minute avant garde composition created between Beatles sessions for Penny Lane that has never been released.
He was also a respected composer of his own work, including early experiments with AI composition and sampling – he claimed to have invented the latter technique." You can read the full post here.
"Peter Zinovieff (26 January 1933 – 23 June 2021) was a British engineer and composer, whose EMS company made the VCS3 synthesizer in the late 1960s. The synthesizer was used by many early progressive rock bands such as Pink Floyd[3] and White Noise, and Krautrock groups[4] as well as more pop-oriented artists, including Todd Rundgren and David Bowie. In later life he worked primarily as a composer of electronic music.
Zinovieff was born on 26 January 1933;[5] his parents, Leo Zinovieff and Sofka, née Princess Sophia Dolgorouky, were both Russian aristocrats, who met in London after their families had emigrated to escape the Russian Revolution and soon divorced.[6] During World War II he and his brother Ian lived with their grandparents in Guildford and then with their father in Sussex. He attended Guildford Royal Grammar School, Gordonstoun School and Oxford University, where he earned a doctorate in geology.[7][8]
Zinovieff's work followed research at Bell Labs by Max Mathews and Jean-Claude Risset, and an MIT thesis (1963) by David Alan Luce.[9] In 1966–67, Zinovieff, Delia Derbyshire and Brian Hodgson ran Unit Delta Plus, an organisation to create and promote electronic music. It was based in the studio Zinovieff had built, in a shed at his house in Putney. (The house is near the Thames, and the studio was later partially destroyed by a flood).[10][11] EMS grew out of MUSYS, which was a performance controller operating as an analogue-digital hybrid.[12] It was a synthesiser system which Zinovieff developed with the help of David Cockerell and Peter Grogono, and used two DEC PDP-8 minicomputers and a piano keyboard.[13] Unit Delta Plus ran a concert of electronic music at the Watermill Theatre in 1966, with a light show. In early 1967 they performed in concerts at The Roundhouse, at which the Carnival of Light was also played; they split up later in 1967.[11] Paul McCartney had visited the studio, but Zinovieff had little interest in popular music.[14]
In 1968, part of the studio was recreated at Connaught Hall, for a performance of pieces by Justin Connolly and David Lumsdaine.[15] At the IFIP congress that year, the composition ZASP by Zinovieff with Alan Sutcliffe took second prize in a contest, behind a piece by Iannis Xenakis.[16]
In 1969, Zinovieff sought financing through an ad in The Times but received only one response, £50 on the mistaken premise it was the price of a synthesiser. Instead he formed EMS with Cockerell and Tristram Cary.[17] At the end of the 1960s, EMS Ltd. was one of four companies offering commercial synthesizers, the others being ARP, Buchla, and Moog.[18] In the 1970s Zinovieff became interested in the video synthesizer developed by Robert Monkhouse, and EMS produced it as the Spectron.[19]
Jon Lord of Deep Purple described Zinovieff as "a mad professor type": "I was ushered into his workshop and he was in there talking to a computer, trying to get it to answer back".[20] Trevor Pinch and Frank Trocco, in their history of the synthesizer revolution, see him rather as aristocratically averse to "trade".[21]
Zinovieff wrote the libretto for Harrison Birtwistle's opera The Mask of Orpheus,[22] and also the words for Nenia: The Death of Orpheus (1970).[23] The section Tristan's Folly in Tristan (1975) by Hans Werner Henze included a tape by Zinovieff."
Update:
Peter Zinovieff: A Tribute by CatSynth TV
video upload by CatSynth TV
"We look back at the life and work of Peter Zinovieff, who passed away last week at the age of 88. His work at Electronic Music Studios (EMS) was a major influence on musicians of the 1970s and beyond. At EMS, he co-created the well-known and coveted VCS3 and Synthi series. But he was also a composer in his own right, working on pioneering electronic music in the 1960s and returning to active composition in the 2010s with several collaborations with artists in other media and exploring massive sound spatialization.
Additional background music provided via the Arturia Synthi V as a tribute."
"Today I have the first sound from the Quadtec 101 digital dual oscillator.
This is a module offering a quadraphone, but initially I did not use the full show when I wave through the pan placing it on the speakers. this patch was more about the sound itself and also quite interesting sequences when one sequencer controls this patch and the sound from one oscillator I raise and lower almost like transpositions ...
This is a great module because it extends the possibilities of creating new sequences or spaces and moving between two oscillators"
"THE GARDEN CITY ELECTRONIC MUSIC COMMUNITY CREATED A TIMEMACHINE USING RARE TESLA BLUEPRINTS AND WENT INTO THE FUTURE TO GATHER DATA OF THE DAY; SEEKING OUT INSTRUMENTS FROM THE CREATIVE YOUTH OF THE FUTURE. UPON RETURNING TO 2019 THEY BROUGHT THOSE IDEAS TO FILIP PIETRUSZEWSKI TO RE-ENGINEER, DESIGN, AND REALIZE THIS FUTURISTIC INSTRUMENT USING MODERN AND ANTIIQUE TOOLS AT HIS MAD SCIENCE LAB AT CAPITAL CITY TRANSISTOR AND VALVE.
Moogfest 2016 Talent Announcement with Reggie Watts
Published on Dec 8, 2015 Moogfest
"Headlining performances include Gary Numan playing a three night residency of his trailblazing early albums, a two-night residency by GZA, ODESZA, Laurie Anderson, Oneohtrix Point Never, Suzanne Ciani, Blood Orange, and Sun Ra Arkestra; with keynote presentations by transhumanist activist and pharma tycoon Dr. Martine Rothblatt, and computer scientist Jaron Lanier, a pioneer in the field of virtual reality.
More than one hundred other acts are already confirmed to perform, while the conference program continues to develop in partnership with a range of esteemed universities, innovative businesses, and art/technology organizations. Program partners include MIT Media Lab, Google, Duke University, Georgia Institute of Technology, The New Museum’s New Inc., IDEO, Gray Area, and the EyeO Festival.
For the first time ever, Moogfest will take place in Durham, NC. Moogfest activates seventeen venues, throughout the walkable downtown core, from intimate galleries to grand theatres, including a free outdoor stage with participatory, all-ages programming. Durham promises to be an ideal setting for Moogfest: a city uniquely blending diversity, authenticity, world class innovation, and culture, with a long history of great music.
Program highlights:
Pioneers in Electronic Music
Electronic music pioneer Gary Numan will perform his first three albums (Replicas, The Pleasure Principle, and Telekon) over three consecutive nights in three different venues. Musical experimentalist Laurie Anderson weaves stories and song in her solo performance, “The Language of the Future” and then returns to the stage the next day to hosts a daytime conversation.
Future Pop
Headlining talent also charts a zig-zagging course across today’s synthesizer infused pop landscape, from the vibrant electronic duo ODESZA, to the future soul of Blood Orange (playing in North Carolina for the first time), a return of utopian rockers YACHT, and even the comic stylings of Reggie Watts.
Experimentalists
Immersive noise and minimalist sonic-scapes from some of today’s most progressive experimental artists, including sunn O))), Ben Frost, Tim Hecker, Silver Apples, Oneohtrix Point Never, Quintron & Miss Pussycat, Olivia Block, Alessandro Cortini, and Lotic.
Ambient Music Innovators
A rich program of sustained tones and cascading moods led by Daniel Lanois, Brian Eno’s prolific Grammy winning protege, Suzanne Ciani, and the UK’s originators of ambient house The Orb.
Hip-Hop
GZA leads Moogfest’s strongest ever hip-hop and rap lineup, supported by a roster of emerging talent including Lunice, Tory Lanez, Denzel Curry, Dr. Dre protege King Mez, and Well$.
The Future of Creativity
Futurist philosophers set the tone for a mind-expanding conference. Keynotes by Dr. Martine Rothblatt, author, entrepreneur, transhumanist, inventor of satellite radio, and Jaron Lanier, a computer scientist and composer who has pioneered the field of virtual reality. Other visionaries include sound explorer Onyx Ashanti and his 'exo-voice' sonic prosthesis, Tod Machover from MIT Media LAB presenting his work in HyperInstruments, and Gil Weinberg and The Robotic Musicianship Group at Georgia Tech performing with Shimon, an improvising robotic marimba player that uses artificial intelligence.
Orchestral Ensembles
The intergalactic voyagers of Sun Ra Arkestra channel the cosmic philosopher himself. Arthur Russell’s Instrumentals ensemble, making their US debut. Floating Points’ live project veers fluidly from warm electronic to jazz to sonic space rhythms.
"the new moduler noise synth FERTAS-MINI
in developing high-tech Engineer Robert Ferdek
Paul Tas artist and inventor of www.errorinstruments.com
are engaged in creative and affordable modulate synthesizers
the FERTAS-1 sounds like drone noise or echo
it is also inspired by Buchla Modular Synth
the organic analogue sound and of course the banana plugs
moduler paths board
also there and revDelay. on this sound will. co mad
and a pulse function too
it is with great retro buttons
Wood roasted lines and geometries style
"NEW FERTAS-1 prototype
the new moduler noise synth FERTAS-1
in developing high-tech Engineer Robert Ferdek
Paul Tas artist and inventor of www.errorinstruments.com
are engaged in creative and affordable modulate synthesizers
the FERTAS-1 sounds like drone noise or echo
it is also inspired by Buchla Modular Synth
the organic analogue sound and of course the banana plugs
moduler paths board
also there and Delay. on this sound will. co mad
and a pulse function too
it is with great retro buttons
Wood roasted lines and geometries style
the price is to FERTAS-1 it prototype
under the € 300"
"NEW FERTAS-1 prototype
the new moduler noise synth FERTAS-1
in developing high-tech Engineer Robert Ferdek
Paul Tas artist and inventor of www.errorinstruments.com
are engaged in creative and affordable modulate synthesizers
the FERTAS-1 sounds like drone noise or echo
it is also inspired by Buchla Modular Synth
the organic analogue sound and of course the banana plugs
moduler paths board
also there and Delay. on this sound will. co mad
and a pulse function too
it is with great retro buttons
Wood roasted lines and geometries style
the price is to FERTAS-1 it prototype
under the € 300
demo soon
for more info soon www.errorinstruments.com"
